Hannah Griffith (
argyle_princess) wrote2007-07-10 12:23 am
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Hannah thinks that Brennan is right about most things, and Hannah knows she's right about needing to eat and sleep and so on.
So Hannah eats. All right, Hannah mostly pushes soup around the bowl with her spoon, but she eats at least a third of it, and in her defense, it is a very large bowl.
She drinks all the juice.
She brushes her teeth, showers, works the tangles out of her hair, puts on mint green flannel pajamas provided by Bar, hangs her clothes in the bathroom so the wrinkles would fall out.
Small things that add up to living, right?
It would be nice to sleep, because sleeping is one way to stop thinking, and one that doesn't later involve having to join a twelve step program. Hannah is just not especially optimistic about it happening any time soon.
But she curls up on her side, arms and legs drawn in tight, blanket pulled up to nose, facing the chair Brennan is sitting in. There's some conversation about nothing in particular, but Hannah's replies get slower and shorter and less distinct, and (if she were awake to notice) she'd be surprised how quickly she falls asleep.
She stays very still for a long time, but eventually, (and gradually) she relaxes, uncurls.
She might be dreaming.
She also might now be drifting in that place between sleeping and waking, not quite dreaming but also not quite picking her thoughts.
Whatever it is, those thoughts are tumbled and jumbled and they don't quite fit together, like pieces of different puzzles dumped out onto the floor.
And then she sits bolt upright, gasping.
Whatever she was before, she's awake now.
So Hannah eats. All right, Hannah mostly pushes soup around the bowl with her spoon, but she eats at least a third of it, and in her defense, it is a very large bowl.
She drinks all the juice.
She brushes her teeth, showers, works the tangles out of her hair, puts on mint green flannel pajamas provided by Bar, hangs her clothes in the bathroom so the wrinkles would fall out.
Small things that add up to living, right?
It would be nice to sleep, because sleeping is one way to stop thinking, and one that doesn't later involve having to join a twelve step program. Hannah is just not especially optimistic about it happening any time soon.
But she curls up on her side, arms and legs drawn in tight, blanket pulled up to nose, facing the chair Brennan is sitting in. There's some conversation about nothing in particular, but Hannah's replies get slower and shorter and less distinct, and (if she were awake to notice) she'd be surprised how quickly she falls asleep.
She stays very still for a long time, but eventually, (and gradually) she relaxes, uncurls.
She might be dreaming.
She also might now be drifting in that place between sleeping and waking, not quite dreaming but also not quite picking her thoughts.
Whatever it is, those thoughts are tumbled and jumbled and they don't quite fit together, like pieces of different puzzles dumped out onto the floor.
And then she sits bolt upright, gasping.
Whatever she was before, she's awake now.
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"And is that all he told you? That Henry is in hell or something close to it?"
Actually, Brennan is certain that Hannah would never have settled for information that vague. Especially where Henry is concerned. The question is merely to keep drawing out the relevant facts, leaving the question of Commodore Lyon's Englishness aside for the time being.
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"He wasn't real forthcoming with the details. I don't know how much just actually didn't know and how much he just didn't bother to tell me. He didn't want to speculate, he said, but . . . I don't know, I think he kinda knows more than he told me.
"Henry was on the Pearl--the ship that was out in the lake, with Captain Sparrow. I'm sure there was very good reason, but I don't know it. And the, um . . . damn it, what was the name? I don't remember."
She shrugs.
"Anyway, this other ship somehow showed and pulled them, Pearl and all, into Davy Jones's Locker, because Davy Jones has some sort of 'unfinished business' with Captain Sparrow. Henry was the . . . Henry was the collatoral damage. There's always some, right?
"So now Commodore Lyon and some people whose names I've also forgotten are doing something to try to get them back, which I don't have any details about, either, and which has a 'certain unlikelihood of success,' apparently.
"Anyway, that's what I know."
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"Hannah, I'm....I'm sorry."
Her brain is still attempting to sort this cascade of information into something that makes sense.
"But there is the possibility that they can get them out?"
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Firm voice is back. Brennan does not want a repeat of numb and dead.
"I think," she adds slowly, and a bit more softly, "that maybe you should go home."
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That would be sarcasm.
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"No. I would say go to the nurse's office, tell them that you're sick, and go home."
Even after a few hours of sleep, Hannah isn't going to have any trouble convincing someone that she's not well.
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"What do I tell Mom? Or Dad?
"God, Brennan, I don't know what to do. Right now I'm having trouble remembering to breathe."
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So she just pulls Hannah into a very tight hug.
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"What am I supposed to do?"
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She draws back so that she can look Hannah in the eye.
"We," she says, "are going to check in regularly with this Commodore Lyon in case there is any new information. We will offer assistance if there is anything we can do to help, though given that this seems to involve magic, we should be prepared for the possibility that we won't be able to."
"And in the meantime we are going to go about our lives, as difficult as that may sound. But we can't just stay here indefinitely hoping to hear something. It won't do anything to help the situation, and in the end it's not healthy."
She hopes that Hannah doesn't think her unfeeling. Because that's not even remotely the case. But it's the only advice she knows to offer.
"It's hard, I know, when there are no answers. But until we have more data, and data that we can act on, it's all we can do."
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"You make it sound easy.
"Commodore Lyon asked me what I thought Henry would want me to do."
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Brennan shakes her head almost imperceptibly. "Carrying on with no answers is never easy. But it is necessary."
Her eyebrows draw together slightly.
"It was unfair of him to ask you that. Logically, Henry would want you to be safe and happy. Anyone could figure that out. But it's counterproductive to use emotional manipulation to try to get you to force yourself into that frame of mind."
Plus, it's a cop out answer, which is something Brennan has never had any patience with.
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She can't figure the answer out. And that somehow bothers her more than almost everything else.
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"And this is the sort of situation where objectivity is extraordinarily difficult."
If not impossible. At least, not this quickly.
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"If it was me, if our places were reversed . . . I think I would want it to hurt. Isn't that an awful thing to say? Maybe I don't even mean it. I don't know. But I think that, at least for a little while, I would want it to hurt so much that he wouldn't be sure he could stand it. To be something that he didn't actually if there was a way to get over or around or through.
"Which I guess makes me a horrible person. But there it is."
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"It's only when something or someone means a great deal to us that it hurts when it's lost."
She makes an attempt at a smile.
"At the genetic level we're social creatures. We require emotional attachments, even though logic tells us that those attachments will all inevitably end someday, one way or another. But we form them anyway. It's one of the things that makes us human."
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Hannah doesn't smile.
"You're right, though. I can't just stay here. If nothing else, it'll probably be easier to be some place he wouldn't be, anyway."
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The world where Hannah needs to be right now.
She nods. "I think you're right."
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"And you know I'm used to keeping odd hours, so don't worry about the time."
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"I think I'm gonna run," she says. "Then I'll worry about looking presentable enough to go back."
It's not that she thinks running will help much, it's just that she knows not running really won't help.
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"And then I do think you should call off sick when you get back. Go home and rest some more. And I'll call you this evening to check in."